Schoeps M DMS U Sale: Passive matrix for Double M/S
With "Double M/S" Surround, the SCHOEPS M DMS matrix is, in all respects, the simplest and most elegant way to obtain surround signals.
It is a small, sturdy box with high-quality transformers forming a passive decoder matrix. Microphone signals are converted directly into 5.0 L / R / C / LS / RS surround signals. A second, switchable mode supplies four signals with no center-channel output.
- the simplest way to decode five channels from three microphone signals
- powers the three microphones correctly when connected to five microphone inputs
Overview
The matrix parameters have been chosen so that the resulting signals correspond to an optimal arrangement (as shown at left) while avoiding unwanted artifacts. Both settings have the following characteristics:
– minimal overlap (crosstalk)
– optimal pickup balance in all directions
– well-balanced 360° localization capability
– optimal constancy of total levels across 360°
– minimal pickup via the rear lobe (< -11 dB)
The matrix settings were determined through extensive practical testing, including ambient recordings, television shows, and theatrical and musical performances. In general the best possible results will be those obtained by using the output signals of the M DMS matrix directly.
Application
Surround setup with M DMS U
Our investigations also considered other ways to optimize the functioning of the double M/S sets in concert halls and other typical settings in which surround recordings must maintain a fundamental front-back distinction. For example, delaying the surround-channel signals can improve the perception of spaciousness and avoid localization errors throughout a wider listening area. As a further measure to improve the spatial impression, the double M/S array can be augmented with more distantly-placed room microphones.
Phantom powering is required on only three of the inputs to which the M DMS is connected.
Note: The coefficients of the M DMS have been set for use with a front-facing SCHOEPS cardioid microphone. Unfortunately, the supercardioid or shotgun alternatives of the other Double M/S sets would not produce suitable results with this arrangement.
The directional patterns which are effectively created by matrixing the output signals of the connected microphones
If the microphone signals are to be recorded directly and processed only later, an optional XLR-7 to 3 × XLR-3 adapter cable (model AK DMS/3U) can be used in place of the splitter box.
Similarly, the AK 3U DMS adapter cable (3 x XLR-3F to XLR-7M) is available so that the splitter box or matrix can be positioned at the far end of a multi-core extension cable.
Specifications
| M DMS U |
| Input |
XLR-7F for front M microphone (cardioid or supercardioid), Side microphone (figure-8), rear M microphone (cardioid or supercardioid) |
| Output |
5 × XLR-3M for the surround signals L, R, C, LS, RS |
| Powering |
none; consumes no current |
| Color |
black |
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